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E-MAILING PROFESSIONALLY FOR SINGERS

How to send e-mails professionally.

E-MAILING PROFESSIONALLY FOR SINGERS

Emailing professionally for singers: E-mail is an important tool for the music industry, it allows communication to be made between acts and industry professionals instantly. Being able to e-mail professionally can help you stand out from the crowd.

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CREATE YOUR OWN SIGNATURE

A signature is the way you sign off at the end of every e-mail, it’s often a name followed by a company name. For a singer however, the signature needs to have more detail and a promotional aspect to it. As this is seen at the end of every e-mail it’s important to make sure it’s perfect.  These things should be included in your signature:

  • Individual’s name
  • Act name (if different)
  • Contact details, including e-mail
  • Mobile number
  • Social media links
  • Website link

E-MAIL SUBJECTS

When you’re e-mailing someone of course you want them to open it and read it, but putting the subject as ‘READ ME’ isn’t going to make it more appealing. The idea of the subject is to give the receiver a clue about what it’s about. Keep it straight to the point and mature.

SPELLING AND GRAMMAR

Spelling and grammar are one of the most important things to remember when e-mailing as a singer. You don’t want the person you’re e-mailing to get the wrong impression, you want them to consider you as a business person. Make sure you spell check everything before you press ‘Send’. It’s almost like a CV, you wouldn’t want an employer to lose interest because you’d made an error in your CV, so don’t make errors in your e-mails. Avoid overusing caps lock, it’s only for shouting, no one wants to be shouted at.

CC AND BCC

Most people that use e-mail are aware of CC and BCC but don’t understand the difference between them. CC means carbon copy and BCC means blind carbon copy. CC is for when you’re e-mailing someone but you both need to someone else to know so you CC them. However, BCC is a bit sneaky, if you’re sending the e-mail you can BCC someone and the person you’re e-mailing won’t be able to see you’ve e-mailed someone else as well.
However best practise is to personalise emails and address the person in name on an individual basis.

ATTATCHMENTS

Obviously you want the industry people you’re e-mailing to listen to your music, but if you just attach it and force it up them they’re not likely to bother. The worst thing you can do is send a large attachment which takes an age to load or worse still freezes a computer! That could be game over before they have even listened. So best bet is to hyperlink your best or latest song on a format people are comfortable with like YouTube.
Also try to avoid embedding images which again may affect it being received and end up in a junk box rather than safely into someone’s inbox.

E-MAIL LENGTH

Best practise is to always to keep to two short paragraphs that the receiver  can scan read make it too long and/or a life story and they will not read your email straight away and leave it till later...and later may never come.

Keep to these simple principles to give yourself a better chance for people to take the time to read your email...Good luck!

E-MAILING PROFESSIONALLY FOR SINGERS

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